CELTIC DISK

SCOTTISH CELTIC BROOCH

"DRAGON GALLEY BROOCH

CELTIC DISK
~ STERLING SILVER ~

"DRAGON" GALLEY BROOCH
sterling silver

celtic square

 

Celtic jewelry like the Celts themselves has a rich history and a proud tradition. Immensely beautiful with intricate Celtic symbols and delicate designs, Celtic cross jewelry and Celtic knot jewelry have been admired and desired for thousands of years

WONDERFUL, BEAUTIFUL SCOTTISH IONA "DRAGON" GALLEY BROOCH. This is a stunning and spectacular piece of Scottish history! The Galley (similar to the Viking longboat, See below) is the central theme of this large solid sterling silver brooch. The Galley is encircled by a magnificent Celtic design border The border contains Celtic interlace designs as well as Celtic knots and bosses. At the bottom there is another Galley and at the top there is a dragon or some other type of Celtic "beastie". It could be a dog or a wolf .. you can imagine what you wish!!
A beautiful sterling silver brooch that captures the spirit of battle, adventure and travel that has sent the Celtic people around the world! See the history of the Scottish Celtic Galley below.

This is a truly stunning piece that is sure to draw both admiration and comments.

A timeless design for the millennium worn today as in centuries past. A larger but it can still be easily be worn on a sweater, jacket or kilt.

CONDITION: Excellent with very little wear and no damage. High quality pin and rollover safety clasp
SIZE: 46.7 mm or 1-13/16" diameter.
WEIGHT: A heavy well made piece. 22 grams, solid sterling silver, Original made by Robert Allison. Scotland. Original hallmarked RA in oval.
celtic square
 
"CELTIC GALLEYS"

Scottish Celtic galleys or longships were one of the favorite subjects of the Celtic Revival period. Celtic Galleys are distinguishable from Norse longships by having a straight sternpost on which a rudder is hung, instead of a steering-oar over the starboard side. The other major difference between Celtic and Norse vessels is that the Celts riveted the planks instead of lashing them together. No remains of Celtic Galleys have ever been recovered. Unlike the longships of the Vikings, galleys were not preserved in burial mounds. In Scotland timber was precious. When a galley became old the sound planks were re-used, others burned for fuel.

The undecked galley (sometimes referred to as a Nyvaig or Birlinn) was the vessel developed from Viking lines which enabled Somerled, the founder of Clan Donald, (Lord of the Isles) to break the power of the Norsemen in the twelfth century. For the next 400 years these beautiful craft, swifter and more maneuverable than their forbears, formed the sole means of communication in the kingdom created by Somer1ed and his sons. Their domain spanned 25,000 square miles and 500 islands. The galley was the easiest mode of travel in the Scottish Islands and West Coast Highlands both in wartime and peace, with its inaccessible Lochs much like small Norwegian fjords, and it quickly became a symbol of the region which explains why so many different galley styles appear in Scottish Celtic Revival jewellery including the most famous Iona pieces.

For more information on the Celtic revival period click here.

 

"CELTIC" REVIVAL PERIOD

This period was made famous by Alexander & Euphemia Ritchie who  worked on the Scottish Holy Isle of Iona c 1910-40.  The Ritchie's used the symbols from the past that surrounded them on the island of Iona. Much of their inspiration was drawn from the rich patterns of interlace, foliage and knotwork on Iona's carved stones and crosses. Alexander Ritchie was actually the Official guide to the historic monuments of Iona.
Their creativity and beautifully detailed work was only one part of their success. The second part was the evolution of the jewellery manufacturing trade which made it possible for them to "outsource" the production of high quantities of their creations. They used many different companies in Glasgow, Birmingham, Chester and Edinburgh  to produce their pieces in high quality and volume. This brought them great market penetration and as with any success they drew others into this creative domain. John Hart,  Iain MacCormick  and Robert Allison were just a few that absorbed and carried on their ground breaking work. All of these silversmiths worked as apprentices with the Ritchie's and after their death continued their work in many cases using the molds and designs made by the Ritchie's with some of their own flourishes and inspiration.
In the last 20 years the number of Celtic artists has increased dramatically many basing their new designs in part on the work of the Celtic Revival period started by the Ritchie's.

 

 

THE HOLY ISLAND OF IONA

Lying off the west coast of the Isle of Mull the tiny Isle of Iona, barely three miles long by one mile wide, has had an influence out of all proportion to its size to the establishment of Christianity in Scotland, England and throughout mainland Europe.

Iona's place in history was secured when in 563 AD St. Columba arrived on its white sandy beaches with 12 followers, built his first Celtic church and established a monastic community.

Once settled, the Irish monk set about converting most of pagan Scotland and northern England to the Christian faith. Iona's fame as a missionary centre and outstanding place of learning eventually spread throughout Europe turning it into a place pilgrimage for several centuries to come. Iona became a sacred isle where kings of Scotland (48), Ireland (4) and Norway (8) were buried.

Celtic Cross, IonaSo who was St. Columba or Colum Cille in Gaelic…born of royal blood in 521 AD in Ireland or Scotia as it was then called, he was the grandson of the Irish King Niall. He left Ireland for Scotland not as missionary but as an act of self-imposed penance for a bloody mess he had caused at home. He had upset the king of Ireland by refusing to hand over a copy of the Gospels he had illegally copied, this led to a pitched battle in which Columba's warrior family prevailed. Full of remorse for his actions and the deaths he had ultimately caused he fled, finally setting on Iona as the first place he found from where he couldn't see his native Ireland. One of the features on the island is even called "The Hill with its back to Ireland".

St. Columba however, was not the shy retiring type and set about building Iona's original abbey from clay and wood. In this endeavour he displayed some strange idiosyncrasies, including banishing women and cows from the island, claiming that "where there is a cow there is a woman, and where there is a woman there is mischief". The abbey builders had to leave their wives, daughters, etc., on the nearby Eilean nam Ban (Woman's Island). Stranger still, he also banished frogs and snakes from Iona, how he accomplished this feat is not as well documented.

Strangest claim of all however is that Columba was prevented from completing the building of the original chapel until a living person had been buried in the foundations. His friend Oran volunteered for the job and was duly buried. It is said that Columba later requested for the Oran's face to be uncovered so he could bid a final farewell to his friend. Oran's face was uncovered and he was found to be still alive but uttering such blasphemous descriptions of Heaven and Hell that Columbus ordered that he be covered up immediately!

Over the centuries the monks of Iona produced countless elaborate carvings, manuscripts and Celtic crosses. Perhaps their greatest work was the exquisite Book of Kells, which dates from 800 AD, currently on display in Trinity College, Dublin. Shortly after this in 806 came the first of the Viking raids when many of the monks were slaughtered and their work destroyed.

The Celtic Church lacking central control and organisation diminished in size and stature over the years to be replaced by the much larger and stronger Roman Church. Even Iona was not exempt from these changes and in 1203 a nunnery for the Order of the Black Nuns was established and the present-day Benedictine Abbey was built. The Abbey was a victim of the Reformation and lay in ruins until 1899 when its restoration started.

Just outside the chapel is the Reilig Odhrain the sacred burial ground of the Scottish kings, said to include Macbeth's victim Duncan. The most recent grave is that of John Smith, leader of the British Labour Party from 1992, until his untimely death in 1994.

No part of St. Columba's original buildings have survived, however on the left hand side of the Abbey entrance can be seen a small roofed chamber which is claimed to mark the site of the saint's tomb on the left hand side of the Abbey entrance can be seen a small roofed chamber which is claimed to mark the site of the saint's tomb


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