penannular artwork

SCOTTISH CELTIC
PENANNULAR PINS"

penannular artwork
STERLING SILVER & KARAT GOLD
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VINTAGE JEWELLERY INDEX

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STERLING SILVER & KARAT GOLD PENANNULARS

AI01-TARA STYLE
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AI01-TARA STYLE
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PN01-PENANNULAR
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PN02-PENANNULAR
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PN03-PENANNULAR
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rams

PN04-PENANNULAR
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PN05-PENANNULAR
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PN06-PENANNULAR
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PN07-PENANNULAR
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PN08-PENANNULAR
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PN09-PENANNULAR
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PN10-PENANNULAR
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PN11-PENANNULAR
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PN11-PENANNULAR
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PN12-PENANNULAR AMETHYST
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PN12-PENANNULAR CAIRNGORM
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PN12-PENANNULAR ~ CAIRNGORM
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The very first brooches of this kind date back to the eighth century. The ancient Celtic people were the first to devise a way of pinning garments together. The Penannular or open ring brooch is among the most ancient of jewellery worn with articles of clothing. In ancient times, brooches were merely used as fasteners to hold clothing together, the Celtic people used them to fasten their cloaks. The original brooches were used much like the modern day safety pin. Penannular brooches, used as cloak pins, were worn by the Celts in Britain from about the third century into early Christian times. Worn at the shoulder or breast, the brooches were as small as an inch in diameter, or quite large. Some were plain bronze, iron or copper, and some jewelled and decorated with gilt, but all had one thing in common: a long loose pin that could slide around the ring. Penannular means almost a ring. Some were pseudo-penannular, i.e., made to look like true penannulars, except that the opening, although indicated, was closed.
To use a true penannular gather a fold of fabric, bring the pin through from back to front through the opening, and then turn the ring to keep it on firmly. Sounds complicated? It isn't, and besides, six centuries of Celts did it to keep their cloaks on.
These brooches eventually developed into the great Irish pieces, of which the most famous is the eighth-century Tara brooch, often shown in books on Celtic art.

The sterling true penannular brooch is especially nice for ladies' dress wear, on a sash at the shoulder, on a fine scarf or shawl, or on a kilted skirt (instead of a long pin).

"CELTIC" REVIVAL PERIOD

This period was made famous by Alexander & Euphemia Ritchie who worked on the Scottish Holy Isle of Iona c 1910-40.The Ritchie's used the symbols from the past that surrounded them on the island of Iona. Much of their inspiration was drawn from the rich patterns of interlace, foliage and knotwork on Iona's carved stones and crosses. Alexander was actually the Official guide to the historic monuments of Iona.
Their creativity and beautifully detailed work was only one part of their success. The second part was the evolution of the jewellery manufacturing trade which made it possible for them to "outsource" the production of high quantities of their creations. They used many different companies in Glasgow, Birmingham, Chester and Edinburgh to produce their pieces in high quality and volume. This brought them great market penetration and as with any success they drew others into this creative domain. John Hart, Iain MacCormick and Robert Allison were just a few that absorbed and carried on their ground breaking work. Many of these silversmiths worked as apprentices with the Ritchie's and after their death continued their work in many cases using the designs made by the Ritchie's
In the last 20 years the number of Celtic artists has increased dramatically many basing their new design on the work of the Celtic Revival period started by the Ritchie's.

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PENANNULAR RETAIL PRICES

MODEL #

DESCRIPTION STERLING SILVER 10 KARAT GOLD 14 KARAT
GOLD
I01 TARA STYLE - Robert Allison ~ WEIGHT: 10 GRAMS SIZE: 1-1/2" DIAMETER $ 65.00 $599.00 $795.00
PN01 PENANNULAR SCROLL VINES- Robert Allison
WEIGHT: 12 GRAMS ~ SIZE: 1-1/2" DIAMETER
$ 79.98 Click to ask Click to ask
PN02 PENANNULAR CELTIC DISKS - Louis Walsh
WEIGHT: 13 GRAMS SIZE: 1-1/2" DIAMETER
$ 84.50 Click to ask Click to ask
PN03 PENANNULAR INTERLACE & KNOTS LARGE
WEIGHT: 25 GRAMS ~ SIZE: 2" DIAMETER
$162.50 Click to ask Click to ask
PN04 PENANNULAR RAMS - Robert Allison
WEIGHT: 13 GRAMS SIZE: 1- 1/2" DIAMETER
$ 84.98 Click to ask Click to ask
PN05 PENANNULAR GLENFINNAN, PNERCED INTERLACE- John HART
WEIGHT: 15 GRAMS ~ SIZE: 2" DIAMETER
$ 98.00 Click to ask Click to ask
PN06 PENANNULAR VIKING IONA GALLEY
WEIGHT: 11 GRAMS ~ SIZE: 1-1/2" DIAMETER
$ 69.98 Click to ask Click to ask
PN07 PENANNULAR DOUBLE BOSSES & SCROLL - Robert Allison
WEIGHT: 18 GRAMS ~ SIZE: 1-3/4" DIAMETER
$117.50 Click to ask Click to ask
PN08 PENANNULAR CELTIC INTERLACE LARGE
WEIGHT: 20 GRAMS ~ SIZE: 2- 1/8" DIAMETER
$129.98 Click to ask Click to ask
PN09 PENANNULAR BOSSES
WEIGHT: 13 GRAMS SIZE: 1-1/5" DIAMETER
$ 84.98 Click to ask Click to ask
PN10 PENANNULAR PSEUDO TARA STYLE WITH STONE
WEIGHT: 7 GRAMS SIZE: 1" DIAMETER
$ 55.98 Click to ask Click to ask
PN11 PENANNULAR SMALL THISTLE
WEIGHT: 5 GRAMS SIZE: 2" DIAMETER
$ 34.98 Click to ask Click to ask
PN1 PENANNULAR INTERLACE, BOSSES, STONES - Louis Walsh
WEIGHT: 12 GRAMS SIZE: 2" DIAMETER
$ 89.98 Click to ask Click to ask
PN12 PENANNULAR INTERLACE, BOSSES, STONE, AMETHYST PASTE - Louis Walsh
WEIGHT: 12 GRAMS SIZE: 2" DIAMETER
$ 89.98 Click to ask Click to ask
PN12 PENANNULAR INTERLACE, BOSSES, STONE CAIRNGORM PASTE- Louis Walsh ~ WEIGHT: 12 GRAMS SIZE: 2" DIAMETER $ 89.98 Click to ask Click to ask
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WE FEATURE:

Highest Quality Craftsmanship

Each Antique Pennanular pin is custom made by hand.
Historically Authentic Product 100%
Availability: 15-30 working days

INSTRUCTIONS FOR USE OF PENNANULAR BROOCH / CLOAK PIN:

  1. Open the cloak pin so that the pin is pointing in the opposite direction to the hole in the ring.

  2. Stick the pin through the cloth and then back out again so that the pin is held in place by the cloth.

  3. Close the cloak pin all the way so that the end of the pin passes through opening in the ring.

  4. Turn the ring 90 degrees.

CELTIC DISK

THE HOLY ISLAND OF IONA

Lying off the west coast of the Isle of Mull the tiny Isle of Iona, barely three miles long by one mile wide, has had an influence out of all proportion to its size to the establishment of Christianity in Scotland, England and throughout mainland Europe.

Iona's place in history was secured when in 563 AD St. Columba arrived on its white sandy beaches with 12 followers, built his first Celtic church and established a monastic community.

Once settled, the Irish monk set about converting most of pagan Scotland and northern England to the Christian faith. Iona's fame as a missionary centre and outstanding place of learning eventually spread throughout Europe turning it into a place pilgrimage for several centuries to come. Iona became a sacred isle where kings of Scotland (48), Ireland (4) and Norway (8) were buried.

Celtic Cross, Iona So who was St. Columba or Colum Cille in Gaelic…born of royal blood in 521 AD in Ireland or Scotia as it was then called, he was the grandson of the Irish King Niall. He left Ireland for Scotland not as missionary but as an act of self-imposed penance for a bloody mess he had caused at home. He had upset the king of Ireland by refusing to hand over a copy of the Gospels he had illegally copied, this led to a pitched battle in which Columba's warrior family prevailed. Full of remorse for his actions and the deaths he had ultimately caused he fled, finally setting on Iona as the first place he found from where he couldn't see his native Ireland. One of the features on the island is even called "The Hill with its back to Ireland".

St. Columba however, was not the shy retiring type and set about building Iona's original abbey from clay and wood. In this endeavour he displayed some strange idiosyncrasies, including banishing women and cows from the island, claiming that "where there is a cow there is a woman, and where there is a woman there is mischief". The abbey builders had to leave their wives, daughters, etc., on the nearby Eilean nam Ban (Woman's Island). Stranger still, he also banished frogs and snakes from Iona, how he accomplished this feat is not as well documented.

Strangest claim of all however is that Columba was prevented from completing the building of the original chapel until a living person had been buried in the foundations. His friend Oran volunteered for the job and was duly buried. It is said that Columba later requested for the Oran's face to be uncovered so he could bid a final farewell to his friend. Oran's face was uncovered and he was found to be still alive but uttering such blasphemous descriptions of Heaven and Hell that Columbus ordered that he be covered up immediately!

Over the centuries the monks of Iona produced countless elaborate carvings, manuscripts and Celtic crosses. Perhaps their greatest work was the exquisite Book of Kells, which dates from 800 AD, currently on display in Trinity College, Dublin. Shortly after this in 806 came the first of the Viking raids when many of the monks were slaughtered and their work destroyed.

The Celtic Church lacking central control and organisation diminished in size and stature over the years to be replaced by the much larger and stronger Roman Church. Even Iona was not exempt from these changes and in 1203 a nunnery for the Order of the Black Nuns was established and the present-day Benedictine Abbey was built. The Abbey was a victim of the Reformation and lay in ruins until 1899 when its restoration started.

Just outside the chapel is the Reilig Odhrain the sacred burial ground of the Scottish kings, said to include Macbeth's victim Duncan. The most recent grave is that of John Smith, leader of the British Labour Party from 1992, until his untimely death in 1994.

No part of St. Columba's original buildings have survived, however on the left hand side of the Abbey entrance can be seen a small roofed chamber which is claimed to mark the site of the saint's tomb